Included are 150 otherwise impossible-to-get Dancehall loops by Sly for hits including Shabba Ranks, Maxi Priest, Chaka Demus & Pliers, Apache Indian, Snow, Cutty Ranks, Black Uhuru, Yellowman, Gregory Isaacs. This CD is a chronology of the past, present and future of Reggae music. Sly plays the numerous styles of Reggae and Ska, then opens the vault to his Dancehall grooves, which can only be described as a sonic hurricane. Dubbed the Riddim Twins, Sly and Robbie pioneered the fusion of Hip Hop and Reggae that is today taking the charts by storm – Dancehall Reggae has left a trail of music rich in rhythm and bass. For years he has set new standards for dance music using his unique blend of Reggae, Funk and Hip Hop with his longtime associate Robbie Shakespeare. Sly Dunbar needs no introduction, he is one of the world’s greatest drummers. Indie Bible - a great resource for radio, venues, festivals, publishers and more.ĬDBaby - get your music distributed on all major platforms as well as the CDbaby site.Sly Dunbar Reggae Drumsplash P2P | 06 February 2016 | 411 MB Waves - 元 Maximixer is a frequent guest in my DAW UAD Plugins - EMT reverb, Studer 800, and pretty much most of them (Only if you have an Apollo Audio Interface) It’s also affordable and offer coupons and discounts frequentlyĪudio Damage - Rough Rider Compressor & Fuzz Box PLUGIN ALLIANCE - get 6 free plugins just for joining Over these past years, I’ve discovered & learned a few things that I go back to time and time again. And it was all done on a simple 4 in / 4 out breakout box and ACID Pro. I played everything except horns & vocals and had a couple of guest musicians join me. No samples were used on the first recording.
His productions become entirely fresh new tracks. The use of reverb, echo and the melodic way in which he’d bring in and out various instruments and vocals. Not a reproduction of his dub, but his sound and the way he approached dubbing.
My goal was to try and capture the vibe and sound of King Tubby and his style. “Dubmatix” began in 2003 recording what would become “Champion Sound Clash”, released in 2004. Since then technology has exploded and made it possible for anyone to make and record music. I eventually learned how to hand-spool high-end VHS tape onto the cartridges to save money and have a better sound quality. The tapes were expensive and held 10 minutes on 30ips (inches per second). In the early 80s, my father had an AKAI MG1212 - one of the early Beta-tape styled analog/digital hybrid all-in-ones. (Sound on Sound) & Echo, the ability to bounce tracks (record on 3 channels and bounce them to one channel so you could keep layering). Starting with a Dorkordor reel-to-reel 4-track that had S.O.S.
PDF download that includes 22 recording & production tips that I've come to rely on during my recording process.
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